凤翔彩绘泥塑是绽放在三秦大地上的一枝奇葩,也是中国民俗文化四大泥塑之一,它以威武可人的造型、鲜艳明快的色彩、酣畅淋漓的线条和浪漫神奇的纹饰闻名遐迩,显耀于世界民俗文化之林。
陕西民间泥塑渗透着中国北方农村以求生求福、趋利避害为主题的吉祥文化,巧妙地集大俗与大雅为一体。它与陕西农民画、剪纸等民间艺术一脉传承,都是通过花鸟虫鱼、祥禽瑞兽为主的意象造型,把农民追求安宁祥和、洪福吉祥的生活气息强烈地展现出来。自1980年我国开始发行生肖邮票起,一个地区的民间工艺品能够两次入选“国家名片”,只有凤翔
凤翔彩绘泥塑,始于先秦西周时期,流传民间三千年之久,是至今我国保留最古老、最具民族特色的泥塑类手工制品。经考证专家们认为,其彩绘纹饰与西周时期的青铜器纹饰有所不同。以花鸟鱼虫、祥鸟瑞兽为主的意象造型是中国古代图腾崇拜、生殖崇拜、神灵崇拜的遗存,反映出图腾时代的文化特点。它以创作毛稿制模、翻胚,粘合成型,经精抛、彩绘、出线、装色、上光等数十道工序精制而成。并以其形态逼真、粗犷夸张。简练概括、威武可爱的造型,大红大绿的色彩、酣畅淋漓的线条、浪漫神奇的纹饰而称道,深受国内外人士的高度评价和喜爱,是馈赠亲友的艺术珍品及陕西特色的旅游纪念品,是镇宅避邪、保家太平、增福送喜的吉祥物。
各种色块和纹样有着特定的寓意。绿色,意万年 长寿;红色,意四季红火;石榴,意多福多子;艾草,意去毒辟邪;海棠, 意富贵;蝴蝶,意多福;牡丹,意吉祥高照;贯钱,意万贯利钱。这些有 “讲究”的符号,在求生、趋利和避害观念的统摄下,串联组合成一件完整的艺术作品。 此外,素白色的作品则主要受中国书法绘画的影响,有大俗大雅的意味,别具一格。
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Fengxiang, calls the harmony anciently. The ground that Zhou Wang rose, close the Chinese and Western office cultural well-known city. The painted clay sculpture of Fengxiang has already had a history of more than 600 years. Bright genaral term of an emperor who found a state bright red yuans of jade tablet 6 camp subordinate to a ministry stationed troops on the water riverside of the harmony according to legend, until north sweep yuans of remnants of defeated troops of court , put the weapons back in the arsenal and graze the war horses on the hillside, the army lives scattered, among them the Jiangxi soldier can make pottery , but has not made pottery equipment, use one kind of local Goddess of Mercy soil with very strong viscidity and clay film colored drawing or pattern . Descendant according to region characteristic and local trait custom, fill in colors on a sketch from modelling, line copy succession get off, handed down from age to age, the works are washed and is practised summarizing, overstating vividly, the color is with distinct contrast, the form is charming and considerable, permeated with strong national characters and vitality, have simple, gaudy, spirit, beautiful artistic characteristic of Gu HanTao, stone carving, pray for blessings, receive auspicious, employ wealth, avoid evil spirits all characteristic, obtain good reputation of " Chinese folk art a special skill ", called " giving the children the best one the present " by the tissues of world children of the United Nations. The clay sculpture horse of masterpiece has already been focused one's attention upon 2002 Chinese birth year stamp pattern by common people.
The clay sculpture of Fengxiang permeates the lucky culture taking seeking survival and ask the good fortune, go after profits and advoid disadvantages as theme in the northern countryside of China, incorporate great custom and elegance into an organic whole ingeniously . The first pulse of folk art, such as it, peasant picture of Shaanxi, paper-cut,etc. are passed on, it is the master's image modelling to all pass birds and flowers' worm's fish, auspicious birds' auspicious beast, the vitality with lucky peaceful happy and auspicious, big good fortune shows strongly to pursue peasants. From our country began to issue the birth year stamp 1980, the folk arts and crafts of an area can be selected " the national name card " twice, only the village of six camp of Fengxiang.
Fengxiang painted clay sculpture,it start on first Qin the west period week,spread on the folk 3,000 years, it is that our country keeps clay sculpture hand work that has the national characters the most oldly and most so far. Through criticize of a text expert think its colored drawing or pattern line decorations and the west bronze ware of period line decorations to some extent different week. The image modelling relying mainly on birds and flowers' water flea, auspicious bird's auspicious beast is China's ancient totemism, reproduction to worship, remains which gods worship, reflect the culture characteristics of times of totem. With create it hair draft make mould, look through embryo, glue person who formate, through precise to throw, colored drawing or pattern, qualify for the next round of competitions, load. And overstate lifelikly, roughly with its form . Summarize, mighty and lovely modelling tersly, bright-colored color, lines heartily, romantic and magical line decorations are praised , win high evaluation from domestic and international personage deeply and like, it is artistic treasure and characteristic tourist souvenir of Shaanxi which present relatives and friends, it is the town residence that avoids evil spirits , protects the house peacefully, increases the good fortune to send the mascot liked.
Various kinds of color lumps and line kind have specific implied meanings . Getting green, purpose long-lived ten thousand years; Red, purpose four seasons are flourishing ; The pomegranate, much good fortune much sons of purpose; End grass, it is malicious to exorcise evil spirits for purpose to go; Chinese flowering crabapple, purpose is rich and powerful; The butterfly, much good fortune of purpose; Tree peony , purpose shines lucky and high; Passing through the money, purpose ten thousand passes through the interest. These symbols with " paying attention to ", the interconnected system that is seeking survival, trending towards the profit and avoid hurting the idea is photographed, contact and make up into an intact artistic work. In addition, the influence that the works that white are painted by the Chinese calligraphy mainly , there is meaning of great custom elegance , peculiar。 Folk art , Fengxiang, clay sculpture, the clay sculpture of Fengxiang, the handicrafts, the type of facial make up, the paper-cut , draw in paper-cut , the type of facial make up of ladle, the folk art in Fengxiang, folk paper-cut , Fengxiang, Shaanxi, the folk art in Shaanxi, the ladle, embroidery shoe-pad , the shoe-pad , cloth art, wheat skeleton picture, the folk art network of Fengxiang, the folk art in Shaanxi, www.19arts.com/fxsgy/product.asp, Baoji, the folk custom handicraft in Baoji, folk art network , folk arts and craft, the figure for shadow-play, the craft , straw plaiting article, among the people, the folklore, folk arts and crafts, the folk art of Shaanxi, Fengxiang, Baoji, the God of Wealth, folk handicrafts, the handicraft of Fengxiang, Shaanxi, the handicraft of Shaanxi, the paper-cut of Shaanxi, the handicraft of Fengxiang, the paper-cut of Fengxiang, the folk arts and crafts of Fengxiang, craft shoe-pad , folk paper-cut art, Shaanxi, cloth art, Baoji, Shaanxi, the cloth art of Shaanxi, the folk art performance given on traditional or religious festivals, the type of facial make up of ladle of the folk art performance given on traditional or religious festivals, craft sheet, embroidered shoes. |
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